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Daddy1966 11 portrait papi
Portrait of the father created in pencil on Japanese paper as a 3-year-old boy, 1966, approx. 20 x 30 cmDaddy
Portrait of the father created in pencil on Japanese paper as a 3-year-old boy, 1966, approx. 20 x 30 cm -
Mountain landscape1980 berglandschaft ca45x30
Oil on cardboard, 1980, 45 x 30 cm, lostMountain landscape
Oil on cardboard, 1980, 45 x 30 cm, lost -
Roger and Ilona and me1980 dreimenschen ca100x105
Oil on fiberboard, 1980, 100 x 105 cm, lostRoger and Ilona and me
Oil on fiberboard, 1980, 100 x 105 cm, lost -
Glass walls1980 glaswaende ca45x30
Oil on fiberboard, 1980, 45 x 30 cm, private collectionGlass walls
Oil on fiberboard, 1980, 45 x 30 cm, private collection -
Fate1980 schicksal ca15x20
Watercolor on handmade paper, 1980, 15 x 20 cm, private collectionFate
Watercolor on handmade paper, 1980, 15 x 20 cm, private collection -
The other side1981 jenseits ca35x50
Oil on cardboard, 1981, 50 x 35 cm, private collectionThe other side
Oil on cardboard, 1981, 50 x 35 cm, private collection -
Industrial site1983 industrieansicht ca30x40
Watercolor on handmade paper, 1983, 40 x 30 cm, private collectionIndustrial site
Watercolor on handmade paper, 1983, 40 x 30 cm, private collection -
Still life with vegetables1983 stillebenmitgemuese ca.15x20
Drypoint etching on handmade paper, 1983, 15 x 20 cm, private collectionStill life with vegetables
Drypoint etching on handmade paper, 1983, 15 x 20 cm, private collection
Early Works
Even as a three-year-old, I felt drawn to visual expression and portrayed my father in an untypical pose and a recognizable facial expression for that age. This would actually only be expected for children aged about 7 or 8.
Nobody thought of systematically documenting the many drawings and paintings, least of all myself. Many objects are missing and many of them lack a photograph or information about where these things ended up over time, whether they still exist and with whom.
I even destroyed some of the hundreds of attempts I made in my early years, which I don't regret. A lot of things that were started and never finished created a lot of ballast.
Some were completed and even sold well. From that point onwards at the latest, curative support would have been helpful.